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      <image:caption>Two main figures of 20th century avant-garde music, regulars in Middelburg (1986 Kloveniersdoelen): Morton Feldman (left) and Iannis Xenakis. Xenakis: ‘I was amazed by the fact that with so few notes you can produce that comprehension of things. I felt like a child because I write so many notes.’ Feldman: ‘‘I felt like a child because I write so few notes. Half of the alphabet is not there…’ photo: Wim Riemens</image:caption>
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      <image:caption>John Cage completely at ease in Middelburg (1988): ‘I can feed the whole army from nature’. photo: Wim Riemens</image:caption>
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      <image:caption>The worldfamous Dutch ensemble “De Volharding” from Louis Andriessen at “Festival Muziek op Straat” (1973, Flushing). Andriessen: ‘De Volharding consisted of ten stubborn topmusicians, each from a completely different musical background. While rehearsing it took me for instance every time at least ten seconds of loud screaming until they would stop playing. It can never be worse then De Volharding. They where wolves.’ photo: Wim Riemens</image:caption>
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